The “Dream of the Rood” is a very beautiful English poem which first appears in a 10th century manuscript, although it may antedate this manuscript by as much as three centuries. Apart from Christ, there are two main protagonists in the poem: the dreamer and the tree of the Cross, or Rood. “The experience of the Cross … has a suggestive relevance to the condition of the sad, lonely, sin-stained dreamer”, writes a commentator, that is, it serves to interpret the journey of the soul of everyman. In that experience, hope comes to replace torment.
In the dream, the soul, wounded by wrongdoing, is troubled by the apparent contradiction of the rood’s earthly function and its glorious destiny. The tree more wonderful than any other reached high aloft, bathed in light, brightest of wood … this was surely no felon’s gallows, for holy spirits beheld it, men upon earth and all this glorious creation. This would seem to announce victory, but the soul now sees it begin to bleed upon the right side, so that he is afraid of that fair sight. I saw that beacon (ie battle-standard) changeable, alter in clothes and colour: now it was wet with moisture, drenched with blood’s flowing, now adorned with treasure… The soul knows within itself, nonetheless, that the conundrum has been resolved, since he equates the tree with salvation: I lay there a long while, looking upon the Saviour’s tree. The tree begins to narrate its own story, one of change and growth and of suffering turned into joy, by the power of sacrificial, burning love.
Firstly, it recalls being hewn down at the wood’s edge and seized by fierce foes, who shaped it into the form of a cross or gibbet. Since the implication is that this was done to it against its will, there is a comparison here with the condition of unredeemed human nature, enslaved by its passions and the devil, fierce foe of superior strength. Like the tree, man without grace is constrained, contrary to his deepest and most spiritual longings, to serve evil purposes.
In its humiliation, the tree is forced to bear criminals suspended upon it. Men carried me on their shoulders to a hill where they set me down Not only the devil, then, but other men drag the tree – and by analogy, the soul – into sinful situations where it feels helpless. There is worse to come. The tree is obliged to raise up, as on a gallows, the Master of Mankind a title which recognises the unique nature of the crucified man.
I saw the Master of Mankind hasten with all his heart, because he wished to climb upon me. I did not dare against God’s word bow or break, though I saw earth’s surface tremble. The young hero stripped himself – he who was God almighty – strong and stout hearted. He climbed upon the gallows, valiant in the sight of many, for he would redeem mankind. The eagerness with which Christ goes to his Passion and death, for the world’s ransom. The tree’s part is to allow him to fulfil His purpose, to bear on its branches the suffering Christ, in spite of the shuddering of the Cosmos. Its pain derives partly from the collusion it is obliged, apparently, to make with the forces of evil, although with the consent and desire of God. There is a struggle for humility. The dreamer or the soul begins likewise to understand that his salvation requires the Passion and death of the Christ, the fairest of the sons of men. He sees that he must collaborate in his own atonement by receiving Christ’s sacrifice. He cannot refuse it out of pride or false humility. He must allow Christ to pay the full price for him by His Blood.
The poem resumes: I shook when the warrior embraced me, yet I dared not bow to the earth, fall to the ground’s surface. A cross was I raised; I lifted up the Mighty King, Lord of the Heavens; I dared not bend. It is as if all the forces of earth and hell were ranged against the tree and that it needed all its innate inflexibility to withstand them. Analogously, the soul when tested, has to stand firm against whatever would destroy faith, hope and love, even when it seems that he will be overwhelmed. Says Maximus of Turin: “When a person is given over to suffering, he is not handed over to death”[1]. Then he is upholding, holding up the Master of mankind.
[1] Vigils, Nocturn III
In the dream, the sufferings of the Rood are now detailed: They pierced me with dark nails – on me are the wounds seen, open, hateful gashes. Nor did I dare do harm to any of them. They mocked us both together. I was all wet with blood shed from the sides of that Man by the time He had sent forth His Spirit. Many bitter things I had endured on that hill. I saw the God of hosts cruelly mocked. Darkness had covered with its mists the Ruler’s Body, the bright splendour. Shadow came forth, dark under the clouds. All creation wept, bewailed the King’s fall: Christ was on the Cross. The tree empathises with the Crucified Man, experiencing the same wounds – the nails, the gashes, the streaming of blood. Like its Lord and Master, it does not retaliate: They mocked us both together. The tree thus shares in Christ’s humiliation, even assumes it, in another analogy with the Christian disciple who participates gladly in the Passion for Christ’s sake.
Already, however, the tree of the Cross begins to see fruits of the Passion. The redeemed gather round the dead Christ and Mary herself whom Almighty God for the sake of all men honoured above all woman’s kind. From afar, the poem continues, ready and willing there came some to the Lord, a reference to Joseph of Arimathea and Nicodemus. This time the rigid wood of the tree learns to bend, to become supple. Sore was I troubled, yet I bent to the hands of men, with all my heart humble. They took almighty God, lifted Him from the great torment. The warriors let me stand, stained with blood. I was all wounded with arrows. They laid him down, limb weary, stood at His body’s Head, gazed upon heaven’s Lord and He rested Him there awhile, exhausted after the great struggle. The friends of the dead Lord began to sing for Him a song of lament, sad in the evening. Then would they depart, tired, from the great Lord … yet we (ie the three crosses on Calvary) stood in our places a good while weeping. Further indignity: the tree is now felled and buried in a deep pit, in another resemblance to the destiny of the crucified.
Abruptly, however the mood of the poem changes: Now is the happy time come that far and wide men upon earth adore me and all this glorious creation prays to this beacon. On me the Son of God suffered for a while, therefore I now tower glorious under the heavens and I may heal every one of those that held me in awe. Once I was made the hardest of torments … before I made open the true road to life … lo, the Lord of glory (has) honoured me above all the trees of the wood. If we suffer with Him, we shall reign with Him; the life of Christ at work in us, who were once moribund but have come through the great tribulation, becomes streams of grace for ourselves and for others.
There is, however, firstly an interior journey to make. Christ, says St John Chrysostom, goes out stripped for single combat on the narrow way of the Cross. In the poem, He issues an invitation, which recalls the Prologue to the Holy Rule: Before his multitude he will ask where the man is who in the name of the Lord would taste bitter death as he did, on the Cross. But then they will be afraid and will little know what they may begin to answer to Christ. Yet there need not any be afraid who bears on his breast the best of beacons. For through the Cross shall every soul who thinks to dwell with the Lord seek His kingdom in his earthly journey. Marked with the sign of the Cross, the soul can be unafraid of suffering, even to the extent of trampling it underfoot. The first effect of faith in Christ’s redemptive work is, then, an essential deliverance from fear. Per sanctam crucem liberati sumus, runs the antiphon of First Vespers, while in the fifth antiphon for Lauds, crux is qualified, unusually, by the adjective alma, as in alma mater. The Cross, then, like a loving mother, supplies the soul with the confidence and freedom it needs to give everything gratefully and without reflection on the self, semper et ubique.
Another effect of faith in the redemptive power of the Cross is hope, in contrast to the despair of unredeemed man. The soul in the poem is now blithe-hearted, whereas before he often endured weariness of spirit. Now there is hope of life, that I may seek the tree of triumph. Appropinquabit redemptio nostra. We may lift up our heads, and from the soul’s languishing, there is now a restitutio sanitatis, a restoring of health[1].
This new vigour is derived from the victory of Christ. Having shattered the gates of hell, Christ rises accinctus potentia, girded with power as the leo de tribu Iuda, radix David[2]. Here is an optimism, not based on natural good spirits alone but on the certainty of the hope of salvation. This brings joy in its wake, a note which sounds again and again in the Feast of the Holy Cross. Propter lignum venit gaudium in mundum[3]. Ideo venit per crucem gaudium in orbem terræ[4] On account of the wood, through the Cross, joy has come into the world.
The joy of forgiveness and redemption; the joy also of protection and stability beneath the Rood. St John Chrysostom again: “Amidst its roots I put down my own roots and spread out my branches; by its spirit, as by a delightful breeze, I am carefully tended. Under its shade I have pitched my tent and, shielded from the scorching heat, I have a shelter bathed in dew.” The battle for salvation well fought (though never entirely over on this earth), life takes on a fruitfulness in and for the House of the Lord; and an inner radiant peace which extends outwards and upwards, for this tree “stretches up from earth as far as heaven … It is also a source of communion in love, filling everything that is. “It is the pillar of the universe, the fulcrum of earth’s globe, the connecting rod of the world, binding together all the diversities of human nature. Fastened with the invisible nails of the Spirit, so that it corresponds to the divine purpose, it can never be sundered from it”[5].
The tree of the Cross is at the heart of our calling, ensuring that our happiness rests on the sacrificial love of Christ, and on our response to the call to sacrifice and to a love beyond all measuring. When the disciple after God’s Heart sets out, lit up with an eager love and zeal to climb up on the Cross, he can say with the dreamer of the poem: Great is my desire for the Cross and my hope of protection rests in it.
Hope of heaven too. We look to the time – God’s good time which is not our time – when the Lord’s Cross that I beheld on earth shall fetch me in this transitory life and bring me where bliss is great, joy in heaven, where the Lord’s folk are set in at the feast, where bliss is eternal. And may it place me where I may thereafter dwell in glory, enjoy with the saints their delight. May the Lord be my friend, who here on earth suffered for man’s sins on the tree.
[1] Second Antiphon, First Vespers
[2] Lauds, First Antiphon
[3] Benedictus Antiphon
[4] Lauds, Fourth Antiphon
[5] Ibid
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